Lyndsay Allyn Cox
James Ijames’s funny, moving family fable receives an engaging New England premiere, but its comforts also raise questions about what local theater should risk in a moment of public crisis.
The themes of “Lizard Boy” would land more squarely—and more powerfully—with a teenage audience than they can with those of us who can only recall such a time in our lives.
The GSC production of Tiny Beautiful Things supplies a 90-minute catharsis, an opportunity to deal with all we’ve bottled up over the last 15 months or so.
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