Michael Tilson Thomas delivers a towering Ives Fourth; pianist Conrad Tao’s American Rage is hard-edged and defiant, but also poignant and stirring; Gianandrea Noseda’s Shostakovich Fourth is ferocious.
LSO Live
Classical CD Reviews: Rattle conducts Bruckner, Jurowski conducts Mahler, and Fischer conducts Saint-Saëns
Simon Rattle’s Bruckner is, on the whole, lean and lively; if you’re looking for a new Mahler Four, Vladimir Jurowski’s is the one to check out; Thierry Fischer leads performances of each symphony that take Saint-Saëns’ writing seriously.
Classical CD Reviews: The Tchaikovsky Project, Schumann Symphonies nos. 2 & 4, and Holst Orchestral Works
Semyon Bychkov and the Czech Philharmonic do justice to a lot of Tchaikovsky’s orchestral music, while John Eliot Gardiner and the London Symphony play Robert Schumann’s famously-dense orchestrations with clarity. But Michael Stern’s account of The Planets completely lacks mystery.
Classical CD Reviews: Colin Davis’s “Berlioz Odyssey,” “Bernard Haitink: Portrait,” and “The Age of Revolutions”
Anniversaries are both the bane and the lifeblood of the classical music industry as, for better or worse, three new box sets remind.
Classical CD Reviews: Gerald Finzi’s Orchestral Music, Bernstein’s “Wonderful Town,” and Arvo Pärt’s “Works for Violin”
Violinist Viktoria Mullova supplies one of the year’s most programmatically-cohesive and thoughtfully-executed albums.
CD Reviews: Smetana String Quartets, 2018 New Year’s Concert, Haydn: An Imaginary Orchestral Journey, and Lindberg conducts Bernstein
Pražák Quartet’s Smetana is keeper, Sir Simon Rattle’s Haydn is a loser, and Lindberg’s “On the Waterfront” is a knockout.
