László Krasznahorkai
A retrospective of four films by those two Hungarian artists unfolds as a monochromatic monolith of mud, misery, human folly, and inexorable corruption.
It is proof of the translators’ skill that Krasznahorkai’s sentences work as well as they do.
There is an almost Biblical resonance of utter destruction and an improbable, fervid humor in the prose of ANIMALINSIDE as the beast speaks directly to us, its voice moving between trapped panic, cunning hunger, and a vicious savagery.
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