Nathan Benn’s gorgeous color photographs paint a complex vision of Vermont as a place of constancy and change.
Kathleen C. Stone
National Pride (and Prejudice) wants us to reexamine the relationship between a country’s iconic images and its not-so-reassuring realities.
Most museums today dream of coming up with striking public images. In that sense, the Portland Museum of Art’s acquisition of SEVEN combines a significant artistic statement with a marketing coup.
The Culinary Arts Museum at Johnson & Wales University reopened in September after a fifteen month hiatus to re-assess its inventory.