Kate Abbott
Harold Pinter’s language can be enigmatic and deliberately bizarre, but it suggests arcs of passion and desire.
A friendly energy runs through the heart of The Road to Where, a tangible and inviting companionship.
Few people are familiar with the achievement of nineteenth century African-American Shakespearean actor Ira Aldridge.
One of Unknown Soldier’s powerful choices is that its central characters are not your standard young lovers.
The play’s made up of domestic confrontations in which dramatist Suzanne Heathcote at times moves past moments of high tension at high speed.
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