Jun Märkl
A polished, detail-rich account of two lyrical concertos, distinguished more by clarity and refinement than by risk or fire.
Diana Tishchenko’s a violinist well worth keeping an eye on; Jun Märkl leads the MSO in brisk, shapely readings of pieces by Saint-Saëns; Françoix-Xavier Roth and Les Siecles come up with some winning Berlioz.

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