Jonathan Blake
“Echoes” honors jazz tradition while slipping gracefully into a modern, oblique swing.
Sometimes Pharoah Sanders came back and played like a primordial saxophone deity, cutting into the rhythm section like an act of penetration.
BOSTON'S PREMIER ONLINE ARTS MAGAZINE
“Echoes” honors jazz tradition while slipping gracefully into a modern, oblique swing.
Sometimes Pharoah Sanders came back and played like a primordial saxophone deity, cutting into the rhythm section like an act of penetration.
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