Isabella-Stewart-Gardner-Museum
An incisive exhibition traces how Rembrandt, his Dutch contemporaries, and earlier artists remade a biblical story of concealment, power, and survival.
The exhibit suggests that Isabella Stewart Gardner wanted her art curation, intellect, and fashion sense — the areas of her life over which she had the most agency over — to be her legacy, not her image.
The Junction Trio offered the coolest show in town — an afternoon of experimental music that highlighted their virtuosity as individual players and as a unit.
While offering a window into artist Fabiola Jean-Louis’s examination of her cultural and personal identity, the exhibit also provides a deeper understanding of the Haitian struggle for freedom.
It’s hard to adequately describe what a momentous exhibition this is.
This Is a Robbery is the most complete and compelling narrative yet about the looting of the Isabella Stewart Gardner Museum.
The journey of Anders Zorn, from Swedish hamlet to the top echelon of society portraitists and back again, has a couple of messages for us. The first leg of the journey tells us that careerism is not a new phenomenon in the art world. The second tells us what it may be worth in the end.
February feels like the ‘New November’: concerts of real interest during the weekdays and too many great concerts during the weekends.
The Anonymous 4 went through their medieval and early Renaissance paces, vibrato-less but historically informed and performed.
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