horror
The apocalyptic overtones of the Mekons’ music come across as alarmingly real as ever.
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“The Monkey” is a delightful exercise in black humor.
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Was another helping of “The Platform” necessary? Maybe. But only if it was done right — and this is half-baked sci-fi horror.
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The stories in this collection are uneven, although to my mind the beauty and brilliance of the best outweigh the others.
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Despite the lack of background or explanation for the occult item at the center of “Talk to Me,” I found it relatively easy to suspend my disbelief and become caught up in the story’s momentum.
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Technology-driven horror narratives are ubiquitous these days: Red Rose has an authentic look that makes its creepiness distressingly plausible.
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Spiral is content to be a satisfying thriller that mechanically delivers as its murderous pace picks up.
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Director Ben Wheatley has a knack for creating characters whose anti-social behavior is shocking.
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Marianne is one of the slickest horror series I’ve seen on Netflix.
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A genre debut as self-assured as Luz is always exciting.
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