Horace Ballard
Are visitors supposed to feel some sort of guilty pleasure if they find Mary Ann Unger’s Across the Bering Strait powerfully mesmeric?
The Ruskinian mantra of “truth to nature” was eventually upended by the development of digital imagery and the agile manipulations of Photoshop.
The Annual Francis Davis Jazz Critics Poll at Mid-Year: Warming Up a Riff — How It Happened, and Why It Matters