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Guy Ben-Aharon

Theater Review: “The Whole World” — The Monsters Are Us

The Whole World focuses on the incoherence that lurks underneath the empowering narratives we tell about ourselves.

By: Ian Thal Filed Under: Featured, Review, Theater Tagged: Deb Martin, German Stage, Guy Ben-Aharon, Ian Thal, Ingrid MacGillis, Karl-Heinz Ott, Marianna Bassham, Robert Kropf, Theresia Walser, Thomas Kee

Theater Review: “Ulysses On Bottles” — Floating More Questions Than Answers

Tragedy isn’t when evil triumphs, but when good becomes entangled in its own inevitable contradictions.

By: Ian Thal Filed Under: Featured, Review, Theater Tagged: Arts Emerson, Gilad Evron, Guy Ben-Aharon, Israeli Stage, Jeremiah Kissel, Karen MacDonald, Ulysses on Bottles, Will Lyman

Stage Review: An Israeli Playwright Expertly Analyzes “A Case Named Freud”

Israeli dramatist Savyon Liebrecht’s new play A Case Named Freud is her most ambitious and dramatically satisfying yet.

By: Ian Thal Filed Under: Featured, Review, Theater Tagged: A Case Named Freud, Detlef Gericke-Schönhagen, German Stage, Guy Ben-Aharon, Savyon Liebrecht

Theater Review: Viva “The World Fixer” at Austrian Stage

In this fiction and plays, Thomas Bernhard creates fascinatingly repugnant monsters, black holes of egotism that are symptomatic of our spiritual and moral myopia.

By: Bill Marx Filed Under: Featured, Review, Theater, World Books Tagged: Austrian Stage, contemporary German literature, Guy Ben-Aharon, Jeremiah Kissel, Nancy E. Carroll, The World Fixer, Thomas-Bernhard, translation

Fuse Theater Review: “Make My Heart Flutter” — The Father of Israeli Drama Looks at the Foolishness of Infatuation

To its considerable credit, Make My Heart Flutter is more existential, literary, and weird than most American comedies.

By: Ian Thal Filed Under: Featured, Review, Theater Tagged: Goethe Institut-Boston, Guy Ben-Aharon, Hanoch Levin, Israeli Stage, Jeremiah Kissel, Make My Heart Flutter, Remo Airaldi

Theater Review: “Crack” — A Theatrical Meditation on Love, Mental Illness, and Modernity

Crack is too complex and nuanced to be reduced to an anti-psychiatric tract.

By: Ian Thal Filed Under: Featured, Review, Theater Tagged: Crack, Cristina Castrillo, Guy Ben-Aharon, Swiss Stage

Theater Review: German Stage — These Youth Don’t Want to Hear No “WhiteBreadMusic”

In interesting ways, German Stage’s ongoing exploration of Germany’s immigrant populations provides a lens through which we can evaluate how we perceive our immigrants and how we treat them.

By: Ian Thal Filed Under: Featured, Review, Theater Tagged: Charlotte Collins., German Stage, German theater, Goethe Institut-Boston, Guy Ben-Aharon, Marianna Salzmann, translation

Theater Review: An Enigmatic “Abyss” — A Crime Drama About Serbs in Germany

Does the distrust of (even a little) narrative ambiguity by North American dramaturgs and audiences mean that international plays must be made more ‘cinematic’ when they are produced here?

By: Ian Thal Filed Under: Featured, Review, Theater Tagged: Abyss, German Stage, Goethe-Institut, Guy Ben-Aharon, Maria Milisavljevic

Theater Feature: Savyon Liebrecht — In Residence at Israeli Stage With Two Plays About Freud and his Family

Dramatist Savyon Liebrecht was recently in the Boston area for a residency with Israeli Stage — two of her scripts, both dealing with Freud and his legacy, received their world premieres here as workshop productions.

By: Ian Thal Filed Under: Featured, Review, Theater Tagged: Dear Sigmund and Carl, Freud's Women, Guy Ben-Aharon, Israeli Stage, Melia Bensussen, Savyon Liebrecht

Theater Interview: Swiss Playwright Jérôme Richer on Questioning “The Real Meaning of Words”

“Everybody has the power to change the world because we’re a part of it. Even if it’s a really small change, it needs to be done. Writing is my pebble in this path.” – Jérôme Richer

By: Ian Thal Filed Under: Featured, Interview, Theater Tagged: Barks, Guy Ben-Aharon, Jérôme Richer, Swiss Stage

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