Gerald Peary
New cinematic mavericks have come along. All the more reason that the views of earlier rebels be collected and preserved, given the short historical memories of young filmmakers and their audiences.
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In these short films James Baldwin does not come off as a relaxed person, someone at ease with himself or quite comfortable in the world. You can feel the acute pain as he speaks.
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Our demanding critics choose the best films (along with some disappointments) of the year. And there is plenty of disagreement.
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This is a profound loss to cinema and to Boston’s filmmaking community in particular, a close-knit group in which Lucia Small enjoyed many friendships and engaged in fruitful collaborations.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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In this genial, colorful memoir, Leslie McFarlane reveals the long path to how, anonymously, he became author of the most best-selling series of boys’ books in publishing history, twenty million volumes and counting.
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Max Walker-Silverman’s first feature, A Love Song, is a character-driven, humanist, and deeply ecological present to someone of my generation.
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If the filmmakers are going to delve into the Jazz Fest vaults, how is it possible to show only a few seconds of Professor Longhair and nothing of James Booker, the Meters, the Neville Brothers? Not good.
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Again and again, we are taken in The Will to See to places where regular reporters never venture, and certainly not filmgoers.
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Arts Feature: Best Movies (With Some Disappointments) of 2023
Our demanding critics choose the best films (along with some disappointments) of the year. And there is plenty of disagreement.
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