George-Bernard-Shaw
For a semi-Shavian like myself, the Shaw Festival once again proved that it was the place to be.
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The generally enjoyable Bedlam production of Pygmalion doesn’t quite settle for the glucose bait.
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George Bernard Shaw’s The Man of Destiny could be an evening of delight with a frisson of cerebral exercise.
Read MoreThe ethical deliberations and the professional backbiting and banter of the doctors fare well in the skilled hands of the director and cast.
Read MoreThe staging is a brash translation of Shaw’s early twentieth-century delicacy into twenty-first century Yankee sensibilities.
Read MoreSimplicity is the key to director Scott Edmiston’s passionate vision for this musical.
Read MoreThe virtuoso approach of Bedlam’s Saint Joan, its unpretentious immediacy, makes this production an exuberant Shavian history lesson that should not to be missed.
Read MoreThis production of “Pygmalion” is also a case study in how an accomplished director –- former Huntington Theatre Company director Nicholas Martin – weaves every part of his team into a seamless whole.
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Theater Review: A Few Thoughts on Williamstown Theatre Festival’s “Pygmalion”
Surely the lesson of “Pygmalion” is that Eliza should never look back. She doesn’t need to.
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