french fiction

Book Review: “Interior” — The Thing-as-Himself

August 29, 2018
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Thomas Clerc’s novel reminds us of a stubborn truth: we are all narcissists that live to accumulate shit in rooms.

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Book Review: Incurable Absences — Olivia Rosenthal’s novel about Alzheimer’s and Much More

June 7, 2016
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The author makes fully human an illness marked by absence and estrangement from humanity.

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Book Review: Antoine Volodine’s “Bardo or Not Bardo” — Seriously Spoofing the Afterlife

April 21, 2016
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One reads this strangely engaging book, like Volodine’s others, with a sort of knitted-brow amusement.

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Book Review: Mathematicians in Combat — Michèle Audin’s “One Hundred Twenty-One Days”

April 11, 2016
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Audin scrutinizes political commitment when it is undertaken by representatives of an intellectual discipline detached from the real world.

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Book Review: Michel Houellebecq and the Wages of “Submission”

November 30, 2015
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If you’ve recently been mourning the end of the Novel of Ideas—take heart. And dig in, for Submission offers a smorgasbord.

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Book Review: Dystopia as Our Future — Antoine Volodine’s “Post-Exotic” Oeuvre

September 8, 2015
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Antoine Volodine is a master of the prolonged, very prolonged, tongue-in-cheek spoof. But he is also dead serious.

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Book Review: Two From Andreï Makine — A Matter of Trust

September 8, 2015
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Makine may be plagiarizing himself, which is a perfectly legitimate thing for a writer to do, but scenes of spring snow and railroad stations become clichés even in talented hands.

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Book Review: Anne Garréta’s “Sphinx” — A Compelling Story of Genderless Love

July 15, 2015
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Garréta pulls off a stylistic feat: it is impossible to determine the gender of the two main characters.

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Book Review: “Nagasaki”‘s Diptych of Aloneness

December 29, 2014
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The success of this short novel set in Japan lies in the empathy it creates for a pair of ordinary and lonely characters.

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Book Review: Into the Labyrinth of Fragmentary Memories — The Novels of Patrick Modiano

November 19, 2014
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The prose of Patrick Modiano, this year’s Nobel prizewinner, has a distinctive French style whose directness and grammatical limpidity by no means exclude semantic depth and complexity.

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