film review
Spanning three timelines, Javier Calvo and Javier Ambrossi’s ambitious drama pairs intimate stories of repression and desire with grand cinematic spectacle.
Noah Segan’s melancholy crime drama pairs a quietly compelling John Turturro with richly textured New York locations, tracing an old-school thief’s struggle to survive in a city moving on without him.
Léa Seydoux gives a powerful performance in Marie Kreutzer’s unsettling exploration of trust, betrayal, and the limits of knowing the person closest to you.
Julia Loktev’s six-hour portrait of exiled TV Rain journalists headlined a festival program along with a tale set in Andrey Zvyagintsev’s corrupt provincial Russia and Emmanuel Marre’s understated study of collaboration under Nazi occupation.
In Alex Gibney’s exhaustive documentary, Elon Musk emerges as a visionary, a menace, and a man determined to escape the world he has helped imperil.
Nathan Fielder’s “You Can See Everything” turns the Theranos saga into a revelatory, Philip K. Dickian inquiry into artifice, identity, and truth.
Cristian Mungiu’s Palme d’Or winner asks whether understanding others requires seeing their side—or questioning our own.
Tom Cruise delivers a virtuoso turn, but Iñárritu buries a potentially potent climate-change comedy beneath exposition, self-congratulation, and stunts.
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