documentary
Between the foibles and hopes of middle-age and the vast perfection of nature, the documentary Low and Clear finds its compelling rhythms and its poetry.
The new documentary,
Claude Lanzmann is a great raconteur who’s honed his narrative skills as a veteran journalist. His memoir is exuberant and provocative at its best; bombastic and superficial at its worst.
Award-winning filmmaker Helen Whitney: “My films form a kind of spiritual autobiography. I’m always searching for subjects that allow me to ask the big questions: Why are we here? Why must we die? Is this all there is?”
Paul Goodman was a professed anarchist — not the bomb-throwing kind, who believe destruction is foreplay to solution, but the anti-violent kind, deriving from the nineteenth century Russian thinker, Kropotkin, who espoused cooperation among free individuals.
The documentary “The Klezmatics: On Holy Ground” is pleasing to watch, but there are a number of ways of respecting as well as loving great artists, the most important being coming up with the chutzpah necessary to ask the tough questions that generate illuminating, inspiring, or interesting answers.
As a dancer, Pina Bausch was the presiding spirit of speechlessness. She had the macabre body of an anorexic, but her matchstick arms communicated entire inner worlds.
Congratulations to the Boston Jewish Film Festival are certainly due to its longevity and general quality.
The film is many things. It is a testament to the restaurant, immortalizing it on celluloid. It’s also a requiem for the restaurant, which you see as it is closing. It’s a manifesto for culinary invention. It’s a tribute to chef Ferran Adrià and what he has wrought, how he has transformed thinking about food. Screens at the MFA tonight through December 30.
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