Disney
Goosebumps is pretty much a failure as a series because it lacks most of R.L. Stine’s entertaining alchemy.
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The dehumanization in The Little Mermaid is not just a matter of the absence of craft; at heart, this is a cynical investment that can’t transcend its craven essence.
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Armed with a quarter of a billion dollars from the people who chucked him to the MAGA wolves, director James Gunn has created one of the most mean-spirited and nasty movies to have come down the pike since Straw Dogs.
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There are cringe-worthy moments as well as scenes of mesmerizing beauty in Disney’s live-action Pinocchio. But I’ll go against the critical grain and argue, for several small reasons, and for one big one, that it was necessary to make it.
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The protagonist of this engrossing, and troubling, story must draw on all her accumulated knowledge in order to cope with degradations to her habitat caused by what we, the viewers, know as global warming/climate change.
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Who else, but The Beatles, could command this much attention, of this many people, for that long of a time, and still be interesting, even joyous?
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In addition to generalizations about Asian cultures — the voice actors come from a variety of Asian, but not all Southeast Asian, backgrounds — there are other issues a grown-up viewer might object to.
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Cruella is by far the best of the Disney reboots.
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The great lyricist behind the Disney renaissance receives a moving tribute.
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Film Commentary: What Disney’s “Encanto” Says About Colombian Realities
In Colombia and Encanto, willful ignorance is the price paid for reassurance.
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