David Kaplan
“For this season, I did not want us to do a ‘greatest hits.’ I did not want to limp away. This is our last full and robust season, but not our last time producing plays.”
“A lot of censorship in America has to do with the impulse to shut down what women have to say, literally hanging and burning them as witches to shut them up.”
This is an opportunity to take in the early stirrings of Tennessee Williams’ talent as a playwright.
A newly published book of translations and two upcoming Boston-area stage productions confirms the enduring elemental power of Federico García Lorca.
“Both poet/playwrights wrote with the same swings between tragedy and farce we live with now in America.”
Once Eugene O’Neill and Tennessee Williams achieved success, they wanted to take on themes in their plays that challenged audiences.
Theater Review: Penny Arcade — Provincetown, Puritans, and the Pandemic
I’ve hated enough people,” Penny Arcade confessed, “I can’t hate anyone new until 2022.”
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