Dario Argento
All the Colors of the Dark and The Case of the Bloody Iris are underrated giallo gems worth seeking out, representing not only the best of the genre, but sex symbol Edwige Fenech’s onscreen magnetism at its strongest.
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Rather than a triumphant return to form from one of horror’s greatest visionaries, Dark Glasses plays like a faded Xerox copy of director Dario Argento’s past hits.
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Luca Guadagnino’s Suspiria is a landscape of the shadowy feminine, steeped in ancient magic, willful evil, and the cyclical round-de-lay of death and rebirth.
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