criticism
The important question the NYTBR Editors fail to ask is whether the traditional definition and values of literary criticism will survive in an age of ebooks and iPads. Is there a primal appetite for criticism? (Edith Wharton says there is, and I believe her.) How will the Internet shape our innate desire to compare, judge,…
Read More@Discographies is closer to marketing jingles or consumer guide advice than it is to reviewing—the exercise is fun but limited because it deals with the least valuable part of criticism: the opinion, the verdict. By Bill Marx. Further tongue-in-cheek (?) proof that the traditional conception of arts criticism—that there’s a difference between critical judgment and…
Read MoreSo what’s the critic’s function when the music itself doesn’t have critical mass with the public? Surely not cheerleading or hype. But surely not nose-in-the-air either. By Steve Elman. Well, some editors are paying attention. There were two London Jazz Festival (LJF) reviews, occupying a half page in the Times this a.m. Maybe the reason…
Read MoreYears (or would that be decades?) ago, editors had the self-respect to be embarrassed by critical incompetence, perhaps because there was the assumption that knowledgeable people were reading the paper. Those discriminating readers are long gone from the marginalized arts section of The Boston Globe . . . By Bill Marx I haven’t seen the…
Read MoreIt is our good fortune that the Library of America has decided to make H. L. Mencken’s Prejudices, a mother load of uproarious, unruly, acidic reviews and commentaries on all things American — books, music, democracy, religion, education, food, women, mores — available.
Read MoreWhat is a Judicial Review? It is a fresh approach to creating a conversational, critical space about the arts. The aim is to combine editorial integrity with the community—making power of interactivity. This is our second session. Hear Ye! Hear Ye! For dance critic Debra Cash, Serenade/The Proposition, the first of Bill T. Jones’s investigations…
Read MoreBy Bill Marx Veteran “Village Voice” theater critic Michael Feingold has written a good column on the tragic news, for some, that the Broadway League and the American Theatre Wing, the organizations that jointly manage Broadway’s annual Tony Awards, have decided to remove the first-night theater press from the ranks of Tony voters. Some hand-wringers…
Read MoreBy Bill Marx Edmund Wilson: A Life in Literature (Paperback) By Lewis M. Dabney. Johns Hopkins University Press, 672 pages, $25. Literary Essays and Reviews of the 1920s & 30s (Library of America #176) By Edmund Wilson. Edited by Lewis M. Dabney. 1026 pages, $40. Literary Essays and Reviews of the 1930s & 40s (Library…
Read MoreThe Hub Review features a perceptively waspish consideration of Pauline Kael’s unhealthy influence on film reviewers, taking scathing aim at a couple of her jittery heirs, A.O. Scott of the NYTimes and Ty Burr of the Boston Globe. I particularly like Tom Garvey’s concluding paragraph: But if the Paulettes have all repudiated their maker, where’s her baleful…
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Critical Homage: Wilfrid Sheed — Farewell, Bittersweet Critic
Sensing the lonely importance of your review, you may lapse into muddleheaded kindness and a groping for a middle position that doesn’t exist. When this happens, no bribe has changed hands, no paper crown for Mr. Nice; you have sold out simply to your own weakness and the fundamental thinness of your vocation. — Wilfrid…
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