Crazy Girl Crazy

Year-end CD Round-up, Part 1: Rosanne Philippens’ Prokofiev, Dover Quartet’s “Voices of Defiance,” Longleash’s “Passage,” Michael Gielen Edition Vol. 4, and Barbara Hannigan’s “Crazy Girl Crazy”

Reviews of performances that are energetic, immediate, muscular, and simply breathtaking.

Allen Michie May 16, 2022 at 3:42 pm on Film Commentary: “Everything Everywhere All at Once” — The Most Serene Movie in YearsThe New Yorker review totally whiffs it: "Were it not for the appealing and charismatic presence of its cast, it...
Gerald Peary May 15, 2022 at 12:01 pm on Film Review: “The Automat” — A Documentary Love-In to the Restaurant ChainCall me stupid, be angry for a negative review, but why care so much when 95% per cent of the...
Dave Kearns May 15, 2022 at 10:08 am on Visual Arts Commentary: Philip Guston and the Impossibility of Art CriticismHave you a copy of Dore Ashton's 1988 essay, "That is Not What I Meant At All: Why Philip Guston...
Lisa Hurwitz May 15, 2022 at 2:43 am on Film Review: “The Automat” — A Documentary Love-In to the Restaurant ChainI think you believe this review is cute but when you write such a negative review in the tone you...
Preston Gralla May 14, 2022 at 11:53 am on Book Review: Looking Back, Fondly, on “The Modem World”Good point about Fidonet, in particular; you're right about that. Usenet newsgroups, I believe, were even better because they had...