Come True
Come True squanders all of its narrative potential in favor of an awkward and poorly developed romance and a “twist” ending even M. Night Shyamalan would scoff at.
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In wrapping up Fantasia, I focused on The Five Rules of Success, Come True, and The Dark and the Wicked, three ambitious genre titles that have stuck with me long since their credits rolled.
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Jazz Perspective: Zev Feldman – A Sherlock of a Producer with an Impressive Portfolio