Christopher V. Edwards
The story has the earmarks of YA fiction: a community of dysfunctional adults contribute to the plight of alienated kids who, badgered by persecutors their own age, seek to escape their torment.
A refreshing and witty hip-hop spin on Shakespeare’s Comedy of Errors.
You need to hear this play. Especially if you are white and already “know” Othello. Listen again (and again) and prepare to question old assumptions.
Arts Commentary: The Boston Symphony’s New Humanities Blueprint Makes Sense