Christopher Caggiano
Expert performers and taut direction make this Cloud 9 a natural high.
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This new musical is charming and lively, but without some renovation its future life is in question.
Do musicals with honorable intentions deserve a pass when it comes to quality?
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James Graham’s new play almost evokes sympathy for the devil. Almost.
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Beetlejuice may not be the blockbuster its creators are hoping for, but it is occasionally humorous and rarely dull.
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The new Broadway revival of Kiss Me, Kate removes much of the objectionable material — and a lot of the fun
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Broadway hasn’t seen a play this harrowing yet eminently enjoyable since August: Osage County.
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While Beth Genné proffers a terrific take on dance and its social context, she exhibits a shaky grasp of musical-theater history.
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Ethan Mordden’s volume openly defies anyone to dismiss the American musical as mere fluff.
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