Proceeding largely country by country, Sebastian Strangio penetratingly explores Southeast Asia’s multifaceted struggle with its behemoth Chinese neighbor.
For those with sufficient patience and imagination — and are eager to learn more about the Chinese literary scene than what’s found in journalistic headlines — Jia Zhangke’s documentary will be an uncommon treat.
Is Do Not Split a fine example of provocative filmmaking? Yes. Should you watch it? Certainly. Will it help you understand the forces feeding the discontent and shaping the discourse generated by the conflict? Not really.
Marshaling statistics, maps, scholarly literature, news articles, and reports, The Future is Asian cogently dramatizes the reasons behind Asia’s re-ascendance to economic, political, and cultural primacy.
In “A Touch of Sin,” four depressing stories float into one other, all said to be based on news stories from Chinese papers.
In the first few days of our first visit to China, I was nonetheless unable to keep myself from formulating a hypothesis. In China the distinction between art, artifice and artificiality is not drawn as sharply as it is, at least in principle, in the West.
Dissident artist Ai Weiwei speaks for an alternate China, another possibility for it. In a sense, he is the anti-Mao. Alison Klayman’s “Ai Weiwei: Never Sorry” is an essential introduction to his work to date.
“On China” boasts photos of Henry Kissinger’s numerous visits to China. In many you see him smiling hugely, brandishing chopsticks alongside the likes of Zhou Enlai. He’s enjoying making history — and the food.
Minor translation issues aside, The Columbia Anthology of Modern Chinese Drama‘s excellent selection, colloquial and stage-friendly translations, and illuminating introduction undoubtedly make the volume the authoritative choice in teaching and reading modern Chinese drama for the foreseeable future. The Columbia Anthology of Modern Chinese Drama. Edited and with an introduction by Xiaomei Chen. Columbia University […]
By Bill Marx I am juggling editing and writing duties between two blogs, theartsfuse and World Books for the website of BBC/PRI’s radio program The World, which is produced at WGBH in Boston. The section aims to be a critical conversation made up of reviews, commentaries, interviews, podcasts, and news stories about international literature. Respected […]