Central Square Theater
This Proof’s weakness comes from the thinness of its lead performances.
Director Courtney O’Connor, the Nora Theatre, and its skilled cast do right by this hilarious historical comedy.
Paradise‘s central conflict and the performances in the Underground Railway Theater production are damn good.
It’s good fun and, for a while at least, it’s interesting to watch the actors fulfill the play’s impish demands.
Marjorie Prime explores the complex connections generated among four family members as they attempt to make sense of grief.
There is nothing quite so exhilarating as watching Shakespeare done right – except, perhaps, watching one of his plays done right, twice.
“What other play culminates in such a frenzy of emotion and joy and love all in a moment on stage?”
Director Lee Mikeska Gardner has put together a dazzling production that matches Tom Stoppard’s dazzling script.
The Convert is a complex historical drama that shows us individuals crushed among powerful contradictions.
Wesley Savick not only does a fine job of adapting Alan Lightman’s text, but in his role as director he squares the circle.
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