• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
  • About
  • Donate

The Arts Fuse

Boston's Online Arts Magazine: Dance, Film, Literature, Music, Theater, and more

  • Podcasts
  • Coming Attractions
  • Reviews
  • Short Fuses
  • Interviews
  • Commentary
  • The Arts
    • Performing Arts
      • Dance
      • Music
      • Theater
    • Other
      • Books
      • Film
      • Food
      • Television
      • Visual Arts

Branden Jacobs-Jenkins

Theater Review: “Gloria” — A Drama About Journalistic Hell

The vacuousness of the digital world and the mainstream media is an easy target.

By: Mary Paula Hunter Filed Under: Featured, Review, Theater Tagged: Branden Jacobs-Jenkins, Gloria, The Gamm Theatre

Theater Review: Two New York Plays on Mortality and Living the Good Life

Two fine new plays in New York meditate on dealing with mortality.

By: Tim Jackson Filed Under: Featured, Review, Theater Tagged: Branden Jacobs-Jenkins, Everybody, Lila Neugebauer, Signature Theater, Wakey Wakey, Will Eno

Theater Review: “An Octoroon” — Racist Melodrama, Post-Modern Version

Company One’s actors are top notch and they expertly serve the production’s antiquated style of non-realistic acting.

By: Arts Fuse Editor Filed Under: Featured, Review, Theater Tagged: An Octoroon, Branden Jacobs-Jenkins, Company One, Dion Boucicault, Jess Viator, Summer l. Williams, The Octoroon

Theater Review: “appropriate” — Southern Gothic, Entertainingly Deconstructed

In appropriate, a talented young playwright turns mischievous literary homage into a work of exhilarating entertainment.

By: Robert Israel Filed Under: Featured, Review, Theater Tagged: African-American, appropriate, Branden Jacobs-Jenkins, M. Bevin O'Gara, Racism, Southern history, SpeakEasy Stage Company

Primary Sidebar

Search

Popular Posts

  • Rock Album Review: The Tedeschi Trucks Band’s “I Am The Moon” — Nothing If Not Ambitious Crescent gives us the first five songs of the I Am The... posted on May 30, 2022
  • Concert Review: The 2022 New Orleans Jazz & Heritage Festival — The Blessed Return of Musical Serendipity We’d returned to the New Orleans Jazz & Heritage Festiv... posted on May 29, 2022
  • Television Review: “Shoresy” — A Spin-off That Falls Short The Canadian sports comedy Shoresy works as its own ser... posted on June 7, 2022
  • Theater Review: “1776” — Still an Egg in the Theatrical Incubator This revival of 1776 tries to strike a culture wars bal... posted on June 5, 2022
  • Album Review: Drummer Bill Bruford’s “Making a Song and Dance” — Adventures Galore Legendary percussionist Bill Bruford’s recorded output... posted on May 31, 2022

Social

Follow us:

Follow the Conversation

  • Ruth Faris June 26, 2022 at 10:16 pm on Film Review: The Devil and “Elvis”Nicely written, makes me want to see it, thanks Tim!
  • Norm June 26, 2022 at 7:03 pm on Film Review: The Devil and “Elvis”Any doubts about seeing the film dispelled by your cool review.
  • Joan Lancourt June 26, 2022 at 6:15 pm on Theater Review: “Common Ground Revisited” – Revivifying HistoryI think Jacqueline Houton hit the nail on the head when she says "a scene or two from the past...
  • Sarah Wilson June 26, 2022 at 8:37 am on Author Interview: The “Friday Night Lights of Hockey” — Jay Atkinson’s “Ice Time” Turns TwentyGreat interview! Excited for the book!
  • Jeff June 26, 2022 at 7:38 am on Film Review: The Devil and “Elvis”I’m looking forward to seeing it. And a good reminder to read Last Train to Memphis.

Footer

  • About Us
  • Advertising/Underwriting
  • Syndication
  • Media Resources
  • Editors and Contributors

We Are

Boston’s online arts magazine since 2007. Powered by 70+ experts and writers.

Follow Us

Monthly Archives

Categories

"Use the point of your pen, not the feather." -- Jonathan Swift

Copyright © 2022 · The Arts Fuse - All Rights Reserved · Website by Stephanie Franz