Boston Symphony Orchestra
As the BSO searches for its new music director, Mr. Salonen’s name is sure to come up. While he’s probably a long-shot candidate, any orchestra that has him on their podium for a week or two a season should count itself lucky.
Read MoreIf a few of his tempos, particularly in the opening movement, weren’t among the liveliest on record, there was a gravitas and underlying conviction to Mr. von Dohnányi’s interpretation of “A German Requiem” that were wholly appropriate to the piece and its appearance on a program that was presented during Holy Week.
Read MoreApril is an unusually excellent month for Boston Symphony Orchestra concerts — a promisng match up of programs and conductors.
Read MoreThe concert’s other purely orchestral work, Mendelssohn’s “Scottish” Symphony (no. 3), came after intermission and offered Mr. Valcuha the opportunity to demonstrate his command of large-scale symphonic structure. Let’s just say he flexed some pretty impressive muscle.
Read MoreJohn Oliver, director of the Tanglewood Festival Chorus, deserves the thanks of all involved for his willingness to take on this unenviable assignment, as well as credit for ensuring that the performance didn’t fall off the tracks.
Read MorePerhaps most remarkably, BSO conductor Stéphane Denève managed to create an atmosphere in which the Symphony Hall audience, which at this time of year sometimes sounds like it’s made up of inpatients from a tuberculosis ward, was utterly captivated: even the quietest moments were accompanied by a welcomed, attentive silence.
Read MoreThis is a book for anyone interested not just in the economic state of the symphony orchestra, but in the overall financial health of the arts in the United States.
Read MoreFebruary feels like the ‘New November’: concerts of real interest during the weekdays and too many great concerts during the weekends.
Read MoreAfter the “Lobgesang”’s premiere, Robert Schumann declared this movement “a glimpse of heaven filled with Raphael’s madonnas,” and Saturday’s performance by the BSO came about as close to that as one could imagine, sensitively phrased and beautifully blended.
Read MoreGuest conductor Giancarlo Guerrero, music director of the Nashville Symphony Orchestra, is a big man who conducts with big gestures. In the first half of “The Rite of Spring” I wasn’t quite sure if his podium mannerisms (which culminated in jumping jacks during the concluding “Dance of the Earth”) were helpful or distracting.
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