Barbara Hannigan

Year-end CD Round-up, Part 1: Rosanne Philippens’ Prokofiev, Dover Quartet’s “Voices of Defiance,” Longleash’s “Passage,” Michael Gielen Edition Vol. 4, and Barbara Hannigan’s “Crazy Girl Crazy”

Reviews of performances that are energetic, immediate, muscular, and simply breathtaking.

Picks for the top live classical performances of 2016. Feel free to agree, disagree, add to them, come up with your own list, etc.

Everyone on stage seemed to sense that this was a special occasion and the BSO, accordingly, played with an extra jolt of electricity.

Ollie Hallowell December 5, 2019 at 5:51 pm on Critical Commentary: A Few Thoughts about John SimonA critic critiques a critic, so eloquently. Such a pleasure to read such informed and intelligent commentary.
William Marx December 5, 2019 at 3:07 pm on Opera Review: Antonio Salieri’s “Tarare” — A Startling Opera of Social CommentarySo Salieri shouldn't have been so jealous of Mozart ...
Bill Marx November 29, 2019 at 9:21 am on Book Feature: Terry Tempest Williams on the Agonies of “Erosion”I have been reading through this fine collection. Besides the essay that Bob suggests, I would recommend the Q &...
Notimportant November 25, 2019 at 1:43 am on Film Review: “The Nightingale” — Song of the PowerlessWhat in this movie says white privilege? An Irish family living in slavery is privilege. My family immigrated to the...
Margot Green November 24, 2019 at 7:15 pm on Poetry Review: Paul Muldoon’s “Frolic and Detour” — Making the Intricate and Difficult Seem EasyDavid, thanks so much for your review! What a terrific poet, Muldoon. It's wonderful to hear your voice, too, in...