Director Robert Lepage’s “The Andersen Project” is a masterful meditation on the agonizing process of artistic creation. Few scripts bring the mixed essence of opportunism and magic of show biz together so effortlessly.
“69°S” takes risks that never put actual life or limb in danger, but under the static of snow and history, we learn that venturing to the edge is always a kind of art.
In “Delusion,” veteran performance artist Laurie Anderson generates a muted melancholy, sometimes poetic, sometimes poignant, that makes the piece a consistently compelling if not always successful addition to an ambitious body of work.
The audience, seated at tables in semi-darkness, responded to TV talk-show style questions. At first, we raised our hands to vote on generic, consensus-building questions: Who believes in private, public or charter schools? Who wants significant change in their lives?
Every September proffers an explosion of productions; as usual, my eclectic picks, driven by my prejudice for the new. There are few world premieres among the openers this season, aside from the Provincetown Tennessee Williams Theater Festival’s “Once in a Lifetime” and Arts Emerson’s presentation of The Foundry Theatre’s “How Much is Enough.”