While 1962’s Symphony owes a clear debt to Stravinsky and Britten (especially its last movement), it sounds like nobody but Irving Fine. This is a score that orchestras ought to be lining up to play.
Arthur Berger
Classical CD Reviews: A BMOP/Sound Round-up — Andy Vores, Arthur Berger, and Matthew Rosenblum
The Boston Modern Orchestra Project is in the habit of making convincing arguments for just about everything it plays and its performers do so again in these three CD releases featuring music by composers with a New England connection.