Andris Nelsons
There was new music, of which Nelsons’s an uncommonly gifted interpreter; old music that mostly sounded lively; and a big, loud, late-Romantic warhorse that let him and the BSO show off.
Read MoreSaturday’s was the most electrifying, exciting, spontaneous-sounding, inevitable performance of this warhorse (Beethoven’s Violin Concerto) I’ve heard.
Read MoreAscending Light is, by far, the most serious orchestral score of Gandolfi’s I’ve heard and it succeeds to a considerable extent thanks to its expressive honesty.
Read MoreThe main takeaway from this first BSO album under new music director Andris Nelsons is the excellent, exciting Sibelius performance.
Read MoreIt’s fun to recall what’s been played locally since January and be reminded just how rich the greater Boston area’s classical music scene really is.
Read MoreThis was was a truly memorable afternoon at Symphony Hall, filled with interesting programming decisions and exciting revelations.
Read MoreSaturday’s attendance hopefully warms the hearts of the BSO’s management. Not only was the house very full, but the assembly also included a healthy proportion of younger heads.
Read MoreThe BSO played with palpable enthusiasm. Andris Nelsons conducted with characteristic energy. There was, by the end of the evening, certainly, quite a bit about which to be happy.
Read MoreAt least waiting for Andris Nelsons to take over the orchestra is done. And we don’t have to bide too much time before we get to hear more from him: his first subscription series with the BSO kicks off on Wednesday.
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Classical Music Commentary: On Andris Nelsons’ First Season in Boston and a Look Ahead at 2015-16
By the end of Andris Nelsons’s inaugural season he had the BSO playing with lots of energy and like they really care, night in and out.
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