Andrea Riseborough
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Amanda Kramer’s created a thoroughly campy and celebratory ode to queerness that stands as both a timely political statement and a genuinely well-crafted piece of independent filmmaking.
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This brilliant film is both an intriguing commentary on the nature of performance and a frightening allegory about how technology, at the service of our worst fantasies and urges, is capable of destroying our humanity.
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