American Repertory Theater

Music Review: Celebrity Series Audience Falls in Love with Audra McDonald

October 4, 2011
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Audra McDonald is so popular on stage, in concert, and on television that she has become, to many, a one-name goddess like Bette, Judy, and Barbra. Judging from her recent star turn in the American Repertory Theater’s production of “Porgy and Bess” and this brilliant concert, she can give the other One-Named Ones a run for their money.

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Theater Review: A “Porgy and Bess” Made For Broadway

September 3, 2011
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The American Repertory Theater’s juggling/removal of the operatic elements in “Porgy and Bess” is clumsy, but the goal is to create a compelling entertainment for contemporary audiences, smoothing out the melodramatic story’s edges and cutting its length.

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Theater Review: Prometheus Bound — Bound for Glory (Revised 1X)

March 14, 2011
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Bare chested and sweating up a storm, singer Gavin Creel as Prometheus makes for a rock rebel with lots of snarly attitude, defying Zeus’s tyranny by flexing his abs.

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Theater Review: A Flawed But Compelling “Ajax” at the American Repertory Theater

March 3, 2011
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Though it ends on an image of uneasy forgiveness, Ajax revolves around a worm hole of irrationality – Athena takes extreme actions and makes uncompromising demands but still insists on the “balance” of the gods

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Coming Attractions in Theater: March 2011

February 26, 2011
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An exciting month, and that isn’t hyperbole. A couple of North American premieres: a futuristic opera from MIT’s Tod Machover and poet Robert Pinsky and a drama tweaking The New Testament from Howard Brenton. Toss in iconic director Peter Brook staging Beckett, F. Murray Abraham as Shylock, and Car Talk:The Musical and you are talking about taking out the smelling salts

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Coming Attractions in Theater: February 2011

January 28, 2011
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A hold-onto-your seat month with some intriguing world premieres, including a musical version of a Korean folktale, an attempt to turn Aeschylus’s Prometheus Bound into a rock event, and a cerebral confab featuring Leonardo da Vinci, Michelangelo, and Machiavelli. By Bill Marx. King Lear by William Shakespeare. Directed by Michael Grandage. NT Live screens the…

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Theater Review: R. Buckminster Fuller — I Sing the Body Geodesic

January 20, 2011
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D.W. Jacobs’s presentation of the life and ideas of American visionary R. Buckminster Fuller invites you to make your own intellectual structure out of what you have seen—connect Fuller’s dots and you have an image that expands your mental horizons or at the very least ups your powers of analysis and recall. R. Buckminster Fuller:…

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Coming Attractions in Theater: January 2011

December 26, 2010
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The new year kicks off with some welcome signs of frisky energy, though it would be nice to see more new plays. Respectability is provided by a homage to Rose Kennedy as well as productions of Pulitzer and Tony award-winning scripts. Marionettes and politics arrive via Bread and Puppet and An Exciting Event. As for…

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Theater Review: “The Blue Flower” — The Kitsch of Death

December 12, 2010
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The set-up sounds promising, a look back at a time of furious intellectual and artistic ferment, especially with its demand for art that challenges rather than caters to conventional tastes, creativity that revels in distortion, the surreal, the political, and the visceral. The Blue Flower. Music, Lyrics, and Script and Videography by Jim Bauer. Artwork,…

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Coming Attractions in Theater: December 2010

December 1, 2010
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I figure you know where the killer Scrooges are, so this month I look for alternatives to the usual holiday fare. The American Repertory Theater and GAN-e-meed Theatre Project are serving up something different, and SpeakEasy Stage Company says it has found “hip” holiday fare. I have heard that one before, but you never know.…

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