Amir Nizar Zuabi’s engaging drama is a hopeful testament to communication and forgiveness.
American Repertory Theater
Why are Boston stages reacting so serenely to our current miasmas — pandemical, political, economic, and spiritual.
The main problem with Gloria is its expository storytelling. Events are mostly announced and described rather than recreated.
Dave Malloy’s musical version of Moby-Dick shows promise, but he needs to trim plenty of blubber.
Greater Good is a fiercely compelling piece, confronting its audience with a complex exploration of some of the most pressing issues of our day.
The playwright supplies a memorable encounter between young and old in the play’s final scene, but it is too late to compensate for the superficiality of the Pirandello-lite antics that have come before.
The Oregon Shakespeare Festival production of Othello lacks a tragic dimension not because it highlights Othello’s “Otherness,” but because it eschews any vestige of grandeur or nobility.
This is yet another sentimental exercise in the mechanics of mother/daughter rapprochement
I speak for the legions who benefitted from your friendship and your great energy and talent.
This musical hodgepodge at the American Repertory Theater could be called ‘Let’s Sing About Me (and Me, and Then More About Me).’