As sure as “the crow/Makes wing to the rooky wood,” Mrs. Macbeth is going to fall tragically short when it comes to being an inspirational role model for marginalized females everywhere.
American Repertory Theater
Dance Review: Magic Afoot
Energizing, joyful, expert, close to sure-fire, Chasing Magic was a great choice to reopen A.R.T. after the long pandemic shutdown.
Theater Commentary: Who’s Agitating for a “Green New Theatre”?
The arrival of Groundwater Arts suggests the birth of efforts to organize artists and others to press cultural organizations to take meaningful action on the climate crisis.
Theater Review: “This Is Who I Am” — Virtual Intimacy
Amir Nizar Zuabi’s engaging drama is a hopeful testament to communication and forgiveness.
Theater Commentary: Where Is Our Rage?
Why are Boston stages reacting so serenely to our current miasmas — pandemical, political, economic, and spiritual.
Theater Review – “Gloria” Squanders an Iconic Life
The main problem with Gloria is its expository storytelling. Events are mostly announced and described rather than recreated.
Theater Review: A Musical “Moby-Dick” Lumbers from its Seabed at the A.R.T.
Dave Malloy’s musical version of Moby-Dick shows promise, but he needs to trim plenty of blubber.
Theater Review: Company One’s ‘Greater Good’ Takes Us on a Tour of Privilege. Literally.
Greater Good is a fiercely compelling piece, confronting its audience with a complex exploration of some of the most pressing issues of our day.
Theater Review: The Sense of an “Endlings”
The playwright supplies a memorable encounter between young and old in the play’s final scene, but it is too late to compensate for the superficiality of the Pirandello-lite antics that have come before.
Theater Review: “Othello” at the American Repertory Theater — Un-moored
The Oregon Shakespeare Festival production of Othello lacks a tragic dimension not because it highlights Othello’s “Otherness,” but because it eschews any vestige of grandeur or nobility.