American Repertory Theater
The playwright supplies a memorable encounter between young and old in the play’s final scene, but it is too late to compensate for the superficiality of the Pirandello-lite antics that have come before.
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The Oregon Shakespeare Festival production of Othello lacks a tragic dimension not because it highlights Othello’s “Otherness,” but because it eschews any vestige of grandeur or nobility.
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This is yet another sentimental exercise in the mechanics of mother/daughter rapprochement
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I speak for the legions who benefitted from your friendship and your great energy and talent.
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This musical hodgepodge at the American Repertory Theater could be called ‘Let’s Sing About Me (and Me, and Then More About Me).’
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The Black Clown commands the vastness of the Loeb’s stage with an enviable energy.
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In the end, Jagged Little Pill manages to spotlight multiple modern problems while making us care about its characters.
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The White Card‘s examination of white philanthropy and racism stays well within the comfort zone.
Read MoreDespite its drawbacks, this is a powerful production that speaks to what is happening today.
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Stage Commentary: Making Boston Theater Magical Again?
Diverting the resources of Boston’s regional theaters into the casino of Broadway undercuts the ideals that launched the regional theater movement.
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