Aaron-Copland

Listening During Covid, Part 7: Celebrating the Diversity of American Music

October 31, 2021
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New CD releases provide splendid performances of remarkable American music, from Barber and Bernstein to recently rediscovered Black composers Florence Price and William Grant Still.

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Classical CD Reviews: Thomas Adès’s Orchestral Works, Aaron Copland’s Symphony no. 3, and Leonard Bernstein’s “Songfest”

April 14, 2020
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A terrific release showcases the Boston Symphony Orchestra and composer Thomas Adès. Michael Tilson Thomas and the San Francisco Symphony deliver a radiantly honest recording of Aaron Copland’s Symphony 3.

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Music Commentary Series: Jazz and the Piano Concerto — Mavericks, 1923-1955

March 23, 2015
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This first group of mavericks all have their roots in the 1920s, but they demonstrate that George Gershwin’s way wasn’t the only way.

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Classical Music Review: New England Philharmonic

May 6, 2008
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By Caldwell Titcomb Two important twentieth-century pieces and a work-in-progress made up the final program of the season offered by the New England Philharmonic at the Tsai Performance Center on April 26, with Richard Pittman on the podium. A painting by E. Prampolini inspired by Bela Bartok’s “The Miraculous Mandarin”

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Classical Music Review: ‘An American Sampler’

April 1, 2008
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By Caldwell Titcomb The Spectrum Singers, founded in 1980 and still led by John W. Ehrlich, presented a concert on March 29 entitled “An American Sampler.” Taking place in Emmanuel Church, the program was devoted to six composers of distinction, with particular emphasis on Aaron Copland (1900-1990) and Irving Fine (1914-1962). American composer Aaron Copland

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