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Moissey Vainberg’s opera powerfully evokes the brutality of Hitler’s extermination camps and the moral ambiguity of postwar Germany.
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Programming can make a difference in who feels invited to the table, and Provincetown International Film Festival has made it clear that diversity—especially supporting the work of female-identified filmmakers—is a top priority.
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The essays in this book are a critical read for folks who might be fighting prison expansion or construction in their neighborhoods.
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Dark is not a German version of Stranger Things; its historical vision is distinctive.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Bedlam’s provocative production of The Crucible has a purpose — to urge us all to stand up and shout down the devils in our midst.
Read MoreIf any of you are harboring a budding young musician, investigate the possibility of he or she attending BUTI.
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Wildly imperfect but intriguingly ambiguous, the film’s flaws and contradictions are a virtue because its purported saintly hero is so hard to pin down.
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Director P.T. Anderson’s latest puts up a fight, but it is for a lost cause.
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Commentary/Interview: Boston Globe Union Negotiations — Anger and Resistance
Those who value serious journalism (as well as the rights of journalists) should be quite worried about just how lethally Boston Globe management is attempting to undercut the newspaper’s union.
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