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Visual Arts Commentary: Public Art — Much More than Murals

September 15, 2019
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Thankfully, public art has become much more than murals for blank wall spaces.

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Dance Review: Prometheus Dance @ 30

February 1, 2019
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The question is whether this evening of dance was supposed to be engaging or enraging — or both.

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Film Review: “The Taking” — Appropriating Monument Valley?

May 5, 2023
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Most of this documentary is so beautiful the temptation is to switch off the preachy, didactic soundtrack and just watch and watch.

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Book Review: A Troubling yet Timely Screed — America’s Debilitating “Meritocracy Trap”

August 15, 2020
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Though its prose veers into academic rough patches, the volume does what it sets out to do, brilliantly portraying how the delusive demon of meritocracy has led America into its current socioeconomic quagmire.

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Visual Arts Review: A Trio of Shows at the Griffin Museum of Photography

December 22, 2024
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A look at three exhibitions of photography — two of them shine a revealing light on personal and political concerns.

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Theater Review: Samuel Beckett — A Memorable Voice in the Dark

March 18, 2016
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Lisa Dwan’s performance of these Beckett pieces in a totally darkened theater is powerful and, in the case of Not I, deliciously revelatory.

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Book Review: “In Search of Stonewall” — Illuminating Queer History

April 19, 2019
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The essays here give readers an eyewitness glimpse into mid-century queer life will intrigue (if not shock) younger LGBT+ people.

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Book Review: “The Pushcart War” — One for the 99%

November 14, 2014
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First published in 1964, Jean Merrill’s classic children’s novel has just been reissued by New York Review Books to celebrate its 50th anniversary.

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Film Review: “You Hurt My Feelings” — A Shape-Shifting Entertainment

May 23, 2023
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It features fine performances, but the comedy-drama, You Hurt My Feelings avoids placing too much on the line. It exists in a comfortable middle ground — nothing is ever taken to an extreme.

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Coltrane Redux

November 7, 2005
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It is remarkable that two prime discoveries in John Coltrane’s recording history should appear in the same year; one of them an improved elevation from the world of underground tapes, the other a total surprise.

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