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This is a carefully-researched book of far more than academic interest.
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Now, we’re told, Trajal Harrell has been researching Butoh dance and hoochy coochy dance, hooking them up with the precursors of modern dance and slathering on generous amounts of gender theory.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read More“White King and Red Queen: How the Cold War Was Fought on the Chess Board” By Daniel Johnson. Houghton Miffilin, 384 pages, $26 Reviewed by Harvey Blume The book’s thesis about the Cold War is that chess was nothing less than sublimated war between the US and the USSR. For something that is neither war,…
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Graphic novels are wonderfully suited to chronicle the lives and times of artists, designers, architects, and even creative institutions.
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The playwright supplies a memorable encounter between young and old in the play’s final scene, but it is too late to compensate for the superficiality of the Pirandello-lite antics that have come before.
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In this new biography, Ted Shawn is on display in all his narcissism, paternalism, hypocrisy, originality, and the dedication to creative expression that set American modern dance on its way.
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The Dead Don’t Die is a satiric trifle, but a cleverly amusing one.
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The ostensible theme of the exhibit “The Last Gesture” might be best regarded, then disregarded, as critic Charlie Finch’s attempt to channel his roiling cognitive slurry. The work itself doesn’t need it.
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler