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For the reader who is not already a William Carlos Williams enthusiast, the biography provides a good corrective to the Norton Anthology picture of Williams as the poet of tiny images, of plums and red wheelbarrows and fire engines with big gold letters.
Read MoreConsidering the determination of the current administration to send America back to the 19th century (or even earlier, perhaps to the Dark Ages), “Lavender Men” supplies an entertaining — and valuable — history lesson.
Read MorePledge is Daniel Robbins’ third film, and his first really good one.
Read MoreUltimately, all of the digressions, anecdotes, and mini-profiles in “We The People” seem like an avoidance mechanism whose purpose is to steer clear of a constitutional crisis that is too painful to face.
Read MoreImitation and musical thievery are pretty standard in the current world of mainstream music, but when The Machine took the stage last night to perform the music of Pink Floyd, they drew a precise and deliberate line between impersonation and authentic tribute.
Read MoreIt occurred to me that, given the variety of the Metropolitan Opera’s current problems, maybe General Manager Peter Gelb should consider putting this best of all possible Candides on his menu.
Read MoreMaybe finally we’re reaching the Natsume Sōseki moment in the English-speaking world.
Read MoreBy Caldwell Titcomb The American Theatre Critics Association, which moves around the country for its annual convention, this year spent a recent week in the nation’s capital and environs. The area houses 75 theatres – 43 in the District of Columbia, 17 in nearby Maryland, and 15 in the contiguous portion of Virginia. From the…
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Arts Remembrance: Soul Iconoclast Roy C
Roy C may not have lived to see the current regime toppled or his litigation over past royalties resolved to his satisfaction, but he died knowing that he was — without a doubt — a Black American original.
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