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The five compositions and one de facto suite played at the NEC Winds and Winds Ensemble performance spoke with six different voices and carried six different messages.
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Because they were masters of performance, metamorphosis, and movement — of “containing multitudes” — Allen Ginsberg and Bob Dylan are the closest peers to Whitman America has yet produced.
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A death is routinely at the center of Claudia Piñeiro’s fiction, but the corpse sparks provocative questions about the way things are, not just an investigation into finding the murderer.
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Sunday’s 100-minute show at Crystal Ballroom offered a celebration of what Gang of Four means for its surviving original members and followers alike, including newer generations represented onstage as well as in the packed hall.
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This disturbing and beautiful book concerns itself mostly with Israelis living in America, and Maya Arad has brought her characters and their stories to life in meaningful and unforgettable ways.
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Once the original Roxy Music core took the stage with their nine supporting musicians, most concerns melted into 100 sublime minutes of music.
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Winner of seven Cesars, this mordant portrait of the corrupt Parisian press mid 19th century, along with the commodification of just about everything, speaks loudly to the internet era.
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This pared-down staging of Tony Kushner’s 30 year-old masterpiece invites some reflection, even a kind of nostalgia. But blazing through — with seraphic force — is the harsh reality of how insane we have become.
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Beef‘s reflection on today’s growing outrage and extremism reveals a lot about class and inequality.
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Design Commentary: The Future of Boston’s White Stadium — A Public/Private Gordian Knot
Many in the increasingly vocal community of stakeholders feel strongly that tradition, history, and student sports will be the victims of this apparent corporate/public conflict.
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