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All of the gritty challenges for today’s ballet companies are touched on in “Étoile”, including financial troubles, union strikes, rapaciously controlling donors, jealous, egomaniacal dancers, and more bumps in the road.
Read MoreThis exciting look at Shakespeare’s tragedy is a decidedly gothic affair.
Read MoreI found myself most interested by the fact that so many of the changes that took place at WBCN made absolute sense to me, even if I had an aesthetic beef with them.
Read MoreWithout its many steamy lesbian sex interludes tarting up what could otherwise be classified as a routine narrative, would “Blue is the Warmest Color” have garnered so many rave reviews and prizes?
Read MoreOnly months ago, developments in the Pollock Matter controversies made news around the world (See past Fuse Flash and Anonymous Sources). But the Nov. 28 International Foundation for Art Research [IFAR] symposium, “Are They Pollocks? What Science Tells Us About the Matter Paintings,” drew relatively scant media notice, even though it had been billed by…
Read MoreGiven the flood of publications on early modern natural history over the last two decades, the detailed and strikingly illustrated Picturing the Book of Nature represents a herculean undertaking.
Read MoreDespite one’s aspirations to another kind of reality, for Pierre Reverdy one is forced to return to one’s fetters.
Read MoreSheila Jordan, to the club crowd in Central Square: “What do I care? I’m still alive.”
Read MoreIn Kinship, dramatist Carey Perloff hasn’t found a language that conveys irrational longing.
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Arts Commentary/Interview: Some Thoughts on The Climate Crisis and Theater
How can we create theater that practices critique and empathy in relation to climate change that simultaneously challenges and lifts us, provokes and provides a muscular hope?
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