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A recent piece in the New York Times provides further proof of the increasingly pernicious stranglehold marketing exerts on the production of new voices in the theater. By Bill Marx Let’s face it—the fastest growing segment of non-profit hiring in the arts over the past decade or so, marketing, is now pretty much in the…
Read MoreVisiting the Frelinghuysen Morris House in Lenox got me thinking about modernist architecture in the eastern part of Massachusetts where Walter Gropius landed as part of the great exodus of “degenerate” artists, scientists, writers and other intellectuals who fled to America from Nazi Germany in the years before the second world war. by Helen Epstein…
Read MoreBy Helen Epstein Reckless by Graig Lucas. Directed by Scott Edmiston. Presented by the SpeakEasy Stage Company at the Boston Center for the Arts through December 12, 2009. Just in case you haven’t noticed it’s edging on toward Christmas, the SpeakEasy Stage Company unwraps “Reckless,” a bauble of a revival by playwright Craig Lucas, whose…
Read MoreCritic Susan Sontag asks whether repeated exposure to images of violence makes us less sensitive to human suffering. Regarding the Pain of Others by Susan Sontag. (Farrar Straus & Giroux, 144 pages) By Bill Marx The controversy over whether images of American POWs held by Iraqi forces should be broadcast on television testifies to the…
Read More“How to Have Sex” doesn’t criticize teenage girls for wanting to get laid, but it points out how the cultural environment in which they do so is directed entirely towards male pleasure
Read MoreI say we need this book now, but the truth is we needed it even more a while ago.
Read MoreArts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
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Holiday Commentary: Making Room for the Stranger