Search Results: the crossroad by rooted
“Darkenbloom” is a hefty novel, in which a blood-stained, depraved swath of history is laid bare by in-depth examination of a narrow geographical sample (think “One Hundred Years of Solitude”, or, for that matter, “Gone With the Wind”).
Read More“Two Strangers (Carry a Cake Across New York)” succeeds as a fun variation on the “buddy” story. The show sometimes ladles on the sugary frosting, but it’s a pretty tasty dessert.
Read MoreYves Bonnefoy’s book is, fundamentally, a spiritual autobiography; yet it draws extensively on the outside world and ponders how it can be described in writing or depicted in painting.
Read MoreThe Complete Jean Renoir — a definitive retrospective of films by the greatest of all directors.
Read MoreNobel laureate Patrick Modiano understands that time periods can mesh, interpenetrate, layer up, blend, and blur naturally in the mind.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreFilm scholars, programmers, and the many filmmakers influenced by Naruse Miko value him as having crafted well-rounded portraits of women and their lives across decades of Japanese cultural changes.
Read MoreWhom can we thank at the Boston Symphony Orchestra for choosing James Carter to be the featured saxophone soloist in March 23’s concert at Symphony Hall?
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The Floundering State of Film Criticism
Ana Rivas sent in this piece on a recent confab at Boston University featuring two film critics – Renata Adler, who for a short time in the ’60s was a film critic for The New York Times and A.O. Scott, who is the current chief film critic for the paper. The conversation contained some interesting…
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