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Fuse Coming Attractions: What Will Light Your Fire This Week

October 25, 2013
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[Updated.] Arts Fuse critics select the best in dance, music, and film that’s coming up this week.

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Music Interview: Morgan Heritage — Pushing Reggae Forward

December 10, 2016
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Surprise! The New England roots of reggae’s sibling act Morgan Heritage.

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Coming Attractions: November 24 Through December 7 — What Will Light Your Fire

November 24, 2024
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Our expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.

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Book Review: The Blissful “Botched-Night Splendor” of Tram 83

October 2, 2015
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Tram 83 mirrors the most sordid and chaotic features of contemporary African cities, in which non-Africans also remain intimately and often deviously involved.

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Theater Review: “Saturday Night/Sunday Morning”—As Expected as the Sunrise

November 2, 2015
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Dramatist Katori Hall’s narrative unfolds with few surprises: every revelation, every secret, every comeuppance is foreshadowed.

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Coming Attractions: October 1 through 14 — What Will Light Your Fire

October 1, 2024
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Our expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.

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Theater Review: Bedlam’s “Pygmalion” — An Enjoyable Excursion into Shavian Feminism

February 12, 2019
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The generally enjoyable Bedlam production of Pygmalion doesn’t quite settle for the glucose bait.

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Dance Review: Howling Wolf—Abraham.In.Motion at the ICA

October 12, 2014
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One of the reasons audiences and funders love Kyle Abraham’s work is that the layered landscapes of his dances resonate with the fraught conditions outside the theatre.

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Dance Review: Swans’ Return at Boston Ballet

May 3, 2016
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Even the hippest of us can succumb to a deep longing for harmony, lush orchestration, and magic.

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Film Review: In “Poor Things,” Pathos Gives Way to Pizzazz

December 18, 2023
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“Poor Things” is a film in which the set designers are as much the auteurs as the director, to the detriment of the pathos that is at the heart of Alasdair Gray’s novel.

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