Search Results: splash woman
Arts Fuse critics select the best in film, theater, music, dance, and author events for the coming week.
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Director Rubika Shah ends her film on this high note, but no one watching could conclude that the struggle is over
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Eleanor Burgess’ The Niceties is an articulate, if structurally crabbed, expression of #blacklivesmatter anger as well as a millennial rebel yell.
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As the age of COVID-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
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Despite Leonard Cohen’s outward humility, he was, in fact, an artist who very much cultivated acclaim, and wanted that attention to endure.
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In “Megalopolis,” we have Francis Ford Coppola, Titan of Cinema, unleashing his undiluted meditation on Roman History, US History, Political Rivalry and Cooperation, Urban Planning, Technology, Love, Marriage, etc.
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As a satire on the power of male-dominated corporations to manufacture consent and conformity, Don’t Worry Darling is devilishly amusing. Though credibility is not its strong suit.
Read MoreBeyond the Hills is not the horror film the trailer seems to advertise, but it is certainly horrific.
Read MoreAlthough Gene Yang envisions a similarity between the Boxers (once transformed into their mythological hero aspects) and modern superheroes, BOXERS & SAINTS is far from a simple good vs. evil slugfest.
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Looking at that photo now, soon after the anniversary of her death, Aretha’s shutter-snap of connection with me seems a blessing.
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Arts Feature: Best Movies (With Some Disappointments) of 2025