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Arts Feature: Best Movies (With Some Disappointments) of 2022

December 16, 2022
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Our demanding critics choose the best films (along with some disappointments) of the year. And there is plenty of disagreement.

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Coming Attractions: July 21 through August 5 — What Will Light Your Fire

July 21, 2024
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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.

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Film Review: “A Love Song” — A Marvel of Humanity

August 6, 2022
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Max Walker-Silverman’s first feature, A Love Song, is a character-driven, humanist, and deeply ecological present to someone of my generation.

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Theater Review: Commonwealth Shakespeare Company’s “Much Ado” — “A Giddy Thing”

July 29, 2022
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Shakespeare’s text has been streamlined for easy consumption on a summer’s evening — there’s no intermission, lots of physical comedy, and a party vibe.

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Film Commentary: Three Amazing Movies Turn 50

May 24, 2022
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A terrifically significant, and eccentric, trio of films are turning 50 this year: Marjoe, Pink Flamingos, and Silent Running.

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Shelter in Place Attractions: March 7 through 23 — What Will Light Your Home Fires

March 7, 2021
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In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.

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Film Review: “Evil Does Not Exist” — A Slow-Mo Eco Drama

May 11, 2024
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Ryusuke Hamaguchi’s latest film is consciously frozen paced to the point of parody.

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Coming Attractions: June 16 through July 2 — What Will Light Your Fire

June 16, 2024
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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.

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Arts Feature: Best Movies (With Some Disappointments) of 2020

December 21, 2020
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Our demanding critics choose the best films (along with some disappointments) of the year.

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Arts Interview with Peter Wortsman: The German Imagination of Fear

March 29, 2013
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“There is a difference between blood and guts, as celebrated in the current vogue of horror-slasher flicks, and the capacity of the darkest of the Grimms’ tales to pierce the thin skin of civility and mainline the dark caverns of the collective unconscious.”

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