Search Results: self objectification
Even with my caveats, A Hidden Life raises filmmaking to heights that will thrill Terrence Malick fans.
If I suffered half as much from the thought that most art has been lost as I suffer every day from the recollection of departed family and friends, I would be in a mental hospital. In this sense, I found myself resisting the message of “The Melancholy Art,” to the point that I felt that the book was laying a guilt trip on me.
There are reassuring lyrics here that suggest that, no matter what terror comes along, our noble charge is to fight to the end, joyously.
That Rubber fails to accomplish much of interest is really a shame. Call it a waste of potential: this film is, perhaps in spite of itself, sharply current—an ideal cinematic concept of the Internet age, self-consciousness gone a muck. Rubber. Directed by Quentin Dupieux. At Kendall Square Cinema. By Taylor Adams French director Quentin Dupieux’s…
Of special interest is Askold Melnyczuk’s treatment of objects. His imagination transforms curios into uncanny artefacts.
While impressive, Life Magazine and the Power of Photography disappoints.
Boston’s MFA owns the ethical and cultural dilemma regarding the location of Cyrus Dallin’s monumental statue “Appeal to the Great Spirit,” acquired as a gift in 1913.
“Every record can have its own unique sound, depending on who has owned it, who’s touched it, where it’s been. That’s really important to me.” This movie makes you realize that these things should be important to you, too.
Author Interview: “Embattled” — Can Ancient Greek Myths Help Us Resist Tyranny?
“By cultivating our capacity for empathetic critical inquiry, Greek myths caution us against entertainers, pundits, politicians, and journalists who are trying to inflame our anger and fear.”
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