Search Results: self objectification

Theater Review: “The Golden Dragon” — A Satire With Bite about International Cuisine

December 22, 2013
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In his satire “The Golden Dragon,” Roland Schimmelpfennig holds his funhouse mirror up to “theater-people”: be they artists, audience, teachers, or students.

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Arts Remembrance: Jack DeJohnette — As Much a Colorist as a Drummer

October 29, 2025
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Jack DeJohnette – who died this week at age 83 of congestive heart failure – lorded over his entire kit with loose but incisive strokes to tightly tuned drum heads and cymbals.

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Dispatch #4 from the New York Film Festival: Richard Linklater’s “Nouvelle Vague” 

October 18, 2025
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In “Nouvelle Vague,” director Richard Linklater thrillingly captures the sense of Jean-Luc Godard as an artist feeling his way in real time, as if in a dark room, toward a new vision.

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Book Review: “Against Morality” — The Shaming Regime

October 17, 2025
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“Against Morality” is the cri de coeur of a cultural critic who realizes that the presentation of art and its adjacent pursuits, including much art itself, have become the subsidiaries of progressive politics.

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New York Theater Review: Storytime — “Venus” and “The Antipodes”

May 24, 2017
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Two plays from major American dramatists interrogate how we come up with the stories we tell about ourselves.

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Weekly Feature: Poetry at The Arts Fuse

August 10, 2023
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This week’s poem — Jennifer Jean’s “Wild Orca Family Chased Down by Jet-skiers Wanting Selfies”

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Film Review: “Cloud” — Death by Capitalism

July 25, 2025
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Kiyoshi Kurosawa’s return to form might be explained by his looking backward: the director has chosen to grapple with the fact that many of the pessimistic prophecies of his earlier films have come true.

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Book Review: “Interior” — The Thing-as-Himself

August 29, 2018
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Thomas Clerc’s novel reminds us of a stubborn truth: we are all narcissists that live to accumulate shit in rooms.

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Theater Review: “Berlin …” — Polymorphous Perversity

April 30, 2018
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The script is symptomatic of the Trump era: a passionate rejection of the “politically correct” pushes warriors for “freedom,” as well as voices of radicalism, into morally despicable positions.

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Film Review: “Malcolm & Marie” — Who’s Afraid of Sam Levinson?

February 12, 2021
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This film offers a much more nuanced and self-reflective conversation about authorship, authenticity, creative inspiration, and the role of film criticism than any of its detractors are willing to admit.

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